Willie Nelson & Wynton Marsalis - Two Men with the Blues

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Pre-order your copy now! Every pre-order gets a copy of "Willie Words Vol. 2". This CD is scheduled to be released on July 8th. Your pre-order will be shipped on or around July 8th.

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The event was simply billed as “Willie Nelson Sings the Blues,” but the historic two-night stand on January 12 and 13, 2007 at Jazz at Lincoln Center was far more than that. Call it a summit meeting between two American icons, Willie Nelson & Wynton Marsalis, two of the most significant figures in modern-day country and jazz, who discovered common ground in their love for jazz standards and the blues. Their performance stirred the sounds of New Orleans, Nashville, Austin and New York City into a brilliantly programmed mix that was equal parts down-home and cosmopolitan, with plenty of swing and just a touch of melancholy. To say that these shows were a hot ticket would be an understatement. Luckily, the tapes were rolling and the results of this unique collaboration now constitute the Blue Note album Two Men With The Blues for everyone who couldn’t cram into The Allen Room.

Their recorded set opens with the gussied-up honky-tonk of “Bright Lights Big City,” and it has an almost cinematic flair; says Marsalis, “We’re like the big city meets the country. Mickey is the sound of the train....and we’re like the car horns.” There’s ample room for solos, allowing everyone a chance to step out; Raphael’s wailing harmonica segues into Marsalis’s trumpet lines, which he plays at a slightly more measured tempo before turning the spotlight over to Blanding. It all winds up with lively, boogie-woogie piano and bass thumping before Nelson steps back up to the mic. It was that kind of gig: a clearly well-rehearsed ensemble effort that nonetheless had an air of spontaneity, congeniality and fun. For his smoky intro to the second track, “Night Life,” Marsalis shifts everything down into a blues-ballad mood; Raphael contributes a high-and-lonesome harmonica solo and Nelson gives the lyrics a ruminative, lived-through reading. “Caledonia,” up next, is often played as an all-out big band rave-up, but Nelson maintains his considerable cool and the band follows suit, illustrating that an arrangement can become all the more exciting when it percolates just under a boil.


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